{"id":1038,"date":"2021-09-30T20:38:58","date_gmt":"2021-09-30T18:38:58","guid":{"rendered":"https:\/\/www.zlomvaz.cz\/2021\/?p=1038"},"modified":"2021-10-01T15:23:54","modified_gmt":"2021-10-01T13:23:54","slug":"recenze-lebensraum","status":"publish","type":"post","link":"https:\/\/www.zlomvaz.cz\/2021\/2021\/09\/30\/recenze-lebensraum\/","title":{"rendered":"Recenze: Lebensraum"},"content":{"rendered":"\n

Brechtovsky o p\u0159ist\u011bhovalectv\u00ed a vyrovn\u00e1v\u00e1n\u00ed se s minulost\u00ed<\/strong><\/p>\n\n\n\n

Kancl\u00e9\u0159ka zve do N\u011bmecka 6 milion\u016f \u017did\u016f. Pokus o smaz\u00e1n\u00ed viny za hr\u016fzy holokaustu vytv\u00e1\u0159\u00ed v\u00a0inscenaci Lebensraum<\/em> po\u010d\u00e1te\u010dn\u00ed impuls v\u0161ech dal\u0161\u00edch ud\u00e1lost\u00ed. P\u016fvodn\u011b bohulib\u00fd z\u00e1m\u011br se v\u0161ak brzy nejen kancl\u00e9\u0159ce vymkne z\u00a0ruky.<\/p>\n\n\n\n

Hru americk\u00e9ho dramatika Israela Horovitze p\u0159edstavili host\u00e9 z bratislavsk\u00e9 V\u0160MU v re\u017eii Kate\u0159iny Quisov\u00e9, kter\u00e1 ji uvedla ve vlastn\u00edm p\u0159ekladu. Text p\u016fvodn\u011b psan\u00fd pro dva herce a jednu here\u010dku si rozd\u011blilo p\u011bt student\u016f a studentek, kte\u0159\u00ed ztv\u00e1r\u0148uj\u00ed osudy mnoha r\u016fzn\u00fdch postav. V\u0161echny ale n\u011bjak ovlivn\u00ed v\u00fdzva kancl\u00e9\u0159ky \u2013 n\u011bkdo se vrac\u00ed s touhou po pomst\u011b, n\u011bkdo za prac\u00ed. St\u0159ihov\u011b doch\u00e1z\u00ed ke st\u0159\u00edd\u00e1n\u00ed rozli\u010dn\u00fdch prost\u0159ed\u00ed. Ta herci vytv\u00e1\u0159ej\u00ed jen n\u00e1znakov\u011b s pomoc\u00ed n\u011bkolika rekvizit a kus\u016f kost\u00fdm\u016f, co\u017e jim umo\u017e\u0148uje svi\u017en\u011b p\u0159ech\u00e1zet i mezi jednotliv\u00fdmi postavami. Za jedin\u00fd zcela st\u00e1l\u00fd invent\u00e1\u0159 minimalistick\u00e9 sc\u00e9ny lze ozna\u010dit betonov\u00e9 kv\u00e1dry, zbytky zdi s nesouvisl\u00fdm graffiti.<\/p>\n\n\n\n

Tv\u016frci velmi jasn\u011b vyu\u017e\u00edvaj\u00ed princip\u016f epick\u00e9ho divadla a r\u016fzn\u00fdmi prost\u0159edky se sna\u017e\u00ed apelovat na div\u00e1ky. Maxim\u00e1ln\u011b k tomu vyu\u017e\u00edvaj\u00ed hrac\u00ed prostor \u2013 \u010dtvercovou ar\u00e9nu. Akce se v n\u00ed neust\u00e1le p\u0159esouv\u00e1, a to i do t\u011bsn\u00e9 bl\u00edzkosti div\u00e1k\u016f. Rychl\u00e9 a p\u0159iznan\u00e9 prom\u011bny mezi prost\u0159ed\u00edmi i postavami udr\u017euj\u00ed inscenaci ve svi\u017en\u00e9m tempu. (Ne\u010dekan\u011b jej naru\u0161\u00ed a\u017e p\u0159est\u00e1vka, je\u017e funguje sv\u00fdm n\u00e1hl\u00fdm vp\u00e1dem do d\u011bje jako prost\u0159edek zcizen\u00ed.) Nejjasn\u011bji se pak tyto principy ukazuj\u00ed v z\u00e1v\u011bru, kdy herci demonstrativn\u011b odkl\u00e1daj\u00ed do kovov\u00e9ho ko\u0161e uprost\u0159ed sc\u00e9ny kost\u00fdmy reprezentuj\u00edc\u00ed v\u0161echny postavy a obrac\u00ed se s patosem na div\u00e1ky. \u201eUmenie nem\u00e1 odpovede, nepon\u00faka rie\u0161enia\u2026 Umenie pon\u00faka iba n\u00e1dej a viac n\u00e1deje\u2026 zas a znovu, \u017ee historick\u00e9 krivdy je mo\u017en\u00e9 prekona\u0165.\u201c Betonov\u00e9 kv\u00e1dry jsou mezit\u00edm rozlo\u017eeny po sc\u00e9n\u011b v obraz odkazuj\u00edc\u00ed na Pam\u00e1tn\u00edk holokaustu v Berl\u00edn\u011b. \u201eNever again. U\u017e nikdy.\u201c <\/p>\n\n\n\n

U\u010debnicov\u011b brechtovsky tak inscenace p\u0159edkl\u00e1d\u00e1 div\u00e1kovi \u0161irok\u00e9 spektrum podn\u011bt\u016f a odevzd\u00e1v\u00e1 mu je k vlastn\u00edmu zamy\u0161len\u00ed. Aktu\u00e1lnost t\u00e9mat je zcela z\u0159ejm\u00e1. Krom\u011b p\u016fvodn\u00edho a explicitn\u011b formulovan\u00e9ho t\u00e9matu \u017eidovsko-n\u011bmeck\u00fdch vztah\u016f, dost\u00e1v\u00e1 text dal\u0161\u00ed rozm\u011br t\u00edm, \u017ee tv\u016frci zd\u016fraz\u0148uj\u00ed paralelu s N\u011bmeckem v obdob\u00ed uprchlick\u00e9 krize. K t\u00e9to aktualizaci nepot\u0159ebuj\u00ed mnoho prost\u0159edk\u016f, sta\u010d\u00ed, \u017ee z kancl\u00e9\u0159e v p\u016fvodn\u00edm textu ud\u011blaj\u00ed kancl\u00e9\u0159ku. B\u011bhem sc\u00e9ny, v n\u00ed\u017ee se odehr\u00e1v\u00e1 demonstrace, transparenty hl\u00e1saj\u00ed bohu\u017eel st\u00e1le pov\u011bdomou r\u00e9toriku \u201eNemecko Nemcov\u201c a \u017eidovsk\u00e1 teroristick\u00e1 organizace p\u0159ipom\u00edn\u00e1 radik\u00e1ln\u00ed islamisty. Princip zobrazen\u00ed a p\u0159enech\u00e1n\u00ed hodnocen\u00ed na div\u00e1c\u00edch v p\u0159\u00edpad\u011b reflektovan\u00e9 produkce fungoval dob\u0159e. Slab\u0161\u00ed str\u00e1nkou v\u0161ak byl p\u0159edev\u0161\u00edm vztah mezi vypr\u00e1v\u011bn\u00fdm slovem a n\u00e1sleduj\u00edc\u00ed akc\u00ed, kter\u00e1 \u010dasto \u0159e\u010den\u00e9 v prvn\u00ed chv\u00edli zbyte\u010dn\u011b zdvojovala a ilustrovala tak situaci bez dal\u0161\u00edho p\u0159idan\u00e9ho v\u00fdznamu nebo komick\u00e9ho efektu.<\/p>\n\n\n\n

autorka: Barbora Smol\u00edkov\u00e1<\/p>\n\n\n\n

\"\"
„Jeden filtr na ledu, st\u0159ik z b\u00edl\u00fdho v\u00edna a chleb\u00ed\u010dek, pros\u00edm.“<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Brechtovsky o p\u0159ist\u011bhovalectv\u00ed a vyrovn\u00e1v\u00e1n\u00ed se s minulost\u00ed Kancl\u00e9\u0159ka zve do N\u011bmecka 6 milion\u016f \u017did\u016f. Pokus o smaz\u00e1n\u00ed viny za hr\u016fzy holokaustu vytv\u00e1\u0159\u00ed v\u00a0inscenaci Lebensraum po\u010d\u00e1te\u010dn\u00ed impuls v\u0161ech dal\u0161\u00edch ud\u00e1lost\u00ed. P\u016fvodn\u011b… Pokra\u010dovat ve\u00a0\u010dten\u00ed Recenze: Lebensraum<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-1038","post","type-post","status-publish","format-standard","hentry","category-obratel-streda","entry"],"_links":{"self":[{"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/posts\/1038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/comments?post=1038"}],"version-history":[{"count":3,"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/posts\/1038\/revisions"}],"predecessor-version":[{"id":1052,"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/posts\/1038\/revisions\/1052"}],"wp:attachment":[{"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/media?parent=1038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/categories?post=1038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zlomvaz.cz\/2021\/wp-json\/wp\/v2\/tags?post=1038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}